{"version":"1.0","provider_name":"Konrad M\u00e4gi","provider_url":"https:\/\/konradmagi.ee\/et\/","title":"Veneetsia - Konrad M\u00e4gi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"950oFXcB5j\"><a href=\"https:\/\/konradmagi.ee\/et\/works\/veneetsia-6\/\">Veneetsia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/konradmagi.ee\/et\/works\/veneetsia-6\/embed\/#?secret=950oFXcB5j\" width=\"600\" height=\"338\" title=\"&#8220;Veneetsia&#8221; &#8212; Konrad M\u00e4gi\" data-secret=\"950oFXcB5j\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/konradmagi.ee\/wp-content\/uploads\/2018\/10\/1922-Veneetsia-XLIV-1169x1024.jpg","thumbnail_width":1169,"thumbnail_height":1024,"description":"Konrad M\u00e4gi loomingus on teada v\u00e4hesed \u00f6ised vaated, kuid Itaalias maalis ta \u00f5htust v\u00f5i \u00f6ist aega mitmel puhul (vt nt \u201eCapri \u00f6\u00f6\u201c). Seda v\u00f5ib seostada ennek\u00f5ike M\u00e4gi romantiseerimissooviga, kuna \u00f6\u00f6 ei t\u00e4henda reaalsuse murdumist n\u00e4gemuslikku, vaid reaalsuse j\u00e4tkumist, lihtsalt veidi sumedamas meeleolus. Samas on see \u00fcks v\u00e4heseid maale, mille pinnale lubab M\u00e4gi m\u00e4rke moodsast maailmast:... Loe edasi &raquo;"}